All posts by metricula

Set List Lyrics and Chords

• Ode to the Great Negotiator by Leigh Tyberg in G
• All Be Ghosts by The Salacious Crumbles in E
• Bad Sneakers by Steely Dan in D
• Battle Hymn of the Murder Hobos by Madison Metricula Roberts in E
• Dagobah by Leigh Tyberg in G
• DnD Cowgirl by Madison Metricula Roberts in G
• (Don’t Put Me In) Carbonite by The Salacious Crumbles in Am
• Kilgore Trout Ain’t Got Nothin’ On Me (Dean Winchester’s Song) by The Salacious Crumbles in Dm
• The Duchess by Leigh Tyberg in Am
• All the Pretty Horses (Drowning Song) by Madison Metricula Roberts in Am
• The Fox by Traditional in G
• Friendly Robots Updated by Madison Metricula Roberts in G
• Not a Committee by Leigh Tyberg in C
• Meownir by Madison Metricula Roberts in G
• Robin Merchant by The Salacious Crumbles in Dm
• Spicy In, Spicy Out by Madison Metricula Roberts in C
• Tim Drake by Leigh Tyberg & Madison Metricula Roberts in E
• Till We Have Faces by Madison Metricula Roberts in D
• A Black Hole Sound by Leigh Tyberg in D

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Songs!

Here are the songs I’m pulling from to make my setlist for my FotLR set and open filks! I’m not sure which ones I’ll play but here are the lyrics and chords for:

• All That the Rain Promises by Madison Metricula Roberts in B
• Baby Merchant by Cop Rock in Dm
• Baker’s Oven by traditional in G
• Bread and Salt by Madison Metricula Roberts in G
• Buskin Boots (Pumped Up Kicks) by Hildegard von Blingin’ in G
• Butter Battle Book by Madison Metricula Roberts in Em
• Fake Pocket of Holding by Madison Metricula Roberts in A
• The Game of Cards by Traditional in G
• I Remember…Nevermind by The Salacious Crumbles in D
• Intergalactic Horticulture by Madison Metricula Roberts in D
• Leia Song by Leigh Tyberg in C
• Life’s a Simulation by Madison Metricula Roberts in G
• Long Black Veil by Traditional in D
• Meownir by Madison Metricula Roberts in G
• Nines (Frodo’s Song) by Madison Metricula Roberts in E
• Out of All Them Bright Stars by Madison Metricula Roberts in C
• Peaceful Easy Three Hour Tour by Mashup in G
• The Question by Madison Metricula Roberts in A
• Rage Becomes Her by Madison Metricula Roberts in E
• The Rock Biter’s Lament by Madison Metricula Roberts in Am
• Surviving by Madison Metricula Roberts in A
• Till We Have Faces by Madison Metricula Roberts in D
• What a Piece of Work Is Man by Hair in C
• What Story Will I Tell? by Madison Metricula Roberts in D
• Won’t You Be My Neighbor? by Fred Rogers in G

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It’s another Bandcamp Friday! What a great day to pick-up The Salacious Crumbles‘  pay-what-you-want EP, “Carbonite,” music by a bunch of our Social Justice Bards, AND my solo stuff! 

My newest track is a collaboration with electronic artist DANI ORTHANC called “MISHBY”, available for pay-what-you -want now!

Recent releases:

• DANI ORTHANC: Lofi beats and experimental electronica
  • New track is “MISHBY”
• The Faithful Sidekicks: west coast comedy nerds with heart
  • Grab the newest record “Dark Side of the Meep”
• Sunday Comes Afterwards: Songs and clever lyrics for all your varied needs!
  • Holiday EP “We Need a Little Cryptid” out now!
• Valentine Wolfe: the female-fronted metal duo of musick most dark
  • New single is “If She Had Been the Mistletoe”
• DJ McGuire: truly, you aren’t cleared for these witty parody lyrics and walking blues
  • Muppety-parody “McConnell/McCarthy”hits close to home
• Daniel Gunderson: folk and filk and sick riffs
  • Solo debut is “Remember”
• Liam Pippin Vaughan: Multi-instrumentalist and mediaeval enthusiast
  • Snag debut LP “Madder & Clay” plus the EP “Cantina Corr: Sci-Fi Club Music Inspired by Star Wars”
• TheFifthSister: moody nerdy battle songs
  • It’s Halloween all year in my house with their October track, “Don’t Go Out Alone”
• Mikey Mason: Nerd rock senpai and soulful songswriter
  • If you like missing Halloween, check out the single “Ghost of Halloween”
• Leslie Hudson: fiery storytelling through music
  • New record “12 Months a Year” was formerly a Patreon exclusive, but now it’s out for all!
• Catch some of these folks live on my weekly Triple Six show!

More music by friends!

• The Blibbering Humdingers: Nerd wrockers family band and Bards of of Tigtone
• The Misbehavin’ Maidens: Nerdy and dirty feminist folk music!
• Get Set Go: the pop-punk-rock brainchild of Mike Torres
• Liam Pippin Vaughan: Multi-instrumentalist and mediaeval enthusiast
• Christian Lipski: Solo project from a member of the PDX Broadsides!
• Leslie Hudson: the Tori Amos of nerd music
• Cheshire Moon: powerhouse folk!
• Wreck the System: nerdcore at its finest
• Chuck Parker: sensitive lyrics and music from the man in every band
• Elizabeth Lain: composer, urban mermaid
• Dr. Cacophonie: percussionist and multi-instrumentalist telling it like it is in their own voice
• Foot Pound Force: literal rocket rock
• The Beadrills: the best Poke-band
• Pete Pawsey: new track is “Tout Mettre Le Feu” and it’s an acoustic jam!
• Vince Conaway: Hammered dulcimer Daddy
• Hawthorn and Holly: pop-folk explosion!
• The Brobdingnagian Bards: the originals of my new Celtic fascination
• Andrew McKee: The Irish Bard
• Marc Gunn: Autoharp Daddy
• Cathy McManamon: singer/songwriter and multi-instrumentalist with an angelic voice!
• The PDX Broadsides: Folk pop nerdery
• Bryan Baker: Imagine Greg Universe singing Springsteen
• Gray Rinehart: excellent and introspective songs
• The Night Sabers: pop-punk for WEEEEEEEEBBBBSSSS
• DJ McGuire: truly, you aren’t cleared for these witty parody lyrics and walking blues
• The Salacious Crumbles: fangirls without shame!
• Lady Orange: folk and synth pop!
• Marc with a C: sensitive indie romps
• Ronen: comedy, rock, and nerdiness!
• Thomas Benjamin Wild, Esq: filthy as sin and twee as hell
• Jeff Whitmire: deft comedy lyrics and joy
• Jonah Knight: the spooky Americana master
• Carrie Dahlby: the “singer of funny joke songs” herself
• TheFifthSister: moody nerdy battle songs
• Beth Kinderman: that good nerdy Americana/Celtic
• Sunnie Larsen: a voice and musical talent, you can hear her smiling when she sings!
• JANXXX: electronic hooks and production that shakes my booty
• Sarah Donner: indie folkpop, catlady
• Juliana Finch: Southern-fried singer-songwriter
• The Doubleclicks: nerd folk with hooks for days
• Marian Call: unapolegetic pop rock with a retro sensibility and tight production
• J.S. Drell: experimental nerdy hip hop!
• Sarah Shay: nerdy acoustic pop
• Animalweapon: electronic and raw
• Rhiannon’s Lark: An angelic voice wrapped in sassy lyrics, NEW RGB track!
• Insane Ian: comedy! All revenue from HP-themed music is being donated to fight TERFS
• Metricula: nerdy solo and folk music! NEW Halloween Track!
• Valentine Wolfe: the female-fronted metal duo of musick most dark
• Mikey Mason: Nerd rock senpai
• The Faithful Sidekicks: west coast comedy nerds with heart
• Sleepy Sword: a new folk rock project, check out the track “Worry”
• Tom Smith: the world’s faster filker, new political material up!
• Michael Kazalski: bass rocker!
• The Courtesan & The Cabin Boy: comedy Renn Faire delights!

These are songs I might play here at Necronomicon in alphabetical order!!

After the shows, I’ll update the individual set lists as their own mini-songbooks, but here is The Big One!

Necronomicon Mega Songbook on Dropbox PDF

Direct PDF Link

First Set From Necronomicon Dropbox Link

Direct PDF Link to First Set

I just found out Jordan Hester will avoid his already light active sentence (four weekends in county jail, non-concurrent and around his schedule) based on a legal technicality. The judge had no choice but to strike it, even though he didn’t want to.

I don’t care so much about the incarceration—the jail and prison systems are fucked and abusive themselves—but there’s an unexpected emptiness in seeing him luck out of part of the sentence.

I don’t care about him being “punished” so much as I want him seen for what he is and the harm he has caused.

I don’t expect remorse from him. I don’t even expect him to change his behavior, which is why I worry and care about what happens instead of “moving on”.

And it’s never really “over”, is it? It’s being haunted by his cold, ghoulish, lopsided smirk and the knowledge that there is no “fixing” this for me, or “justice”. “Moving on” just means living with this and coping, not letting it dissolve.

He tried to convince me to have a baby with him and I’m grateful I got out; the next girl didn’t until too late.

There’s always a next girl.

The reality is that no matter what we do, we can’t stop him throughout his life. We’ve just done our damndest to slow down his rate of “next girls” When you Google his name, mine will be there.

That’s a weight I don’t regret and don’t need a cookie for.

But I don’t feel brave; I feel sick. This sucks. And I live with anger and am not ashamed.

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A plucky young ballerina befriends a hometown hero home from New York and they both get boyfriends and prove themselves to the ballet elite of Richmond. The ugly sweater party features a “All the Jingle Ladies” sweater and I saw god.

Dramatis Personae (that matter)

• Big Dancer – fancy ballet dancer moves back to Richmond from New York to choreograph the local ballet’s Nutcracker
• Mr. Rogers – runs lights for the theatre and runs every arts program for kids in Richmond
• Tiny Dancer – teaches Latin dance and doesn’t get the part in the ballet, but Big Dancer works on a special project for her
• DJ Cool Bro – Tiny Dancer’s plot boyfriend so someone can do a salsa remix of Tchaikovsky
• “Sounds like the devil traded her Prada for ballet shoes” – the ballet director with a heart ready to melt for Latin fusion beats

Rating: 7 Sugar Plums out of 10

Sugar Plum Twist was fun with sparkly sets and bland acting that occasionally borders on playfully goofy (think My Big Fat Greek Wedding but less overtly self-aware). Many of the characters were Puerto Rican, and they slipped between Spanish and English (full exchanges, not the functional equivalent of italicized words). I also learned what a parranda is (a Puerto Rican musical tradition around Christmas) and the score and soundtrack for this one was pretty great EXCEPT for the final solo performance remix which was trash. Overall, though, Sugar Plum Twist is trying very hard but in a way that feels cheery.

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The girl wins money by riding the horse.

Dramatis Personae (that matter)

• Juliet – the city girl
• Rodeo – the horse
• Mom – didn’t want to ride horses (is also a romance novelist)
• Cowboy – Mom’s ex who rides horses
• Cowboy Jr. – Cowboy’s nephew (so it’s not weird when everyone hooks up) who rides horses and teaches Juliet to ride horses
• Lawyer? – doesn’t reveal the mom’s dad’s will in violation of the law because he wants people to ride horses

Rating: 8 whispered “Let’s go, Rodeos” out of 10

Juliet saves the ranch by riding the horse, that’s about it. A+, exactly what I expect from a Hallmark movie. The horse is played by Cosmo.

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The Brady Bunch parents are fine but get stressed out about the wedding. The Cool Mom gives up her dreams to marry Wine Dad and Tom Arnold yells at people.

Dramatis Personae (that matter)

Frankly no one matters.

• Cool Mom – moved back home when she lost a fancy job
• Wine Dad – owns a winery
• Tom Arnold – not important to the plot other than communicating a job offer but at the end he tries to headhunt the preacher

There are kids and dogs but honestly they mostly just fill time with insert shots.

Rating: 4 Leg Humps out of 10

Nothing in this movie matters. They get married, whatever. The dogs run around. Possibly sponsored by Purdue Chicken.

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Plucky Lead finds Santa’s magic Naughty or Nice book (is it bound in skin?) and uses it to expose petty naughty deeds, but then she feels guilty and apologizes. Santa disappears using the transporter effect from Star Trek.

Dramatis Personae (that matter)

• Girl Santa – snitch
• Catty Elf Friend – he actually doesn’t belong here since he doesn’t particularly effect the plot, but best character in the movie. He and Girl Santa have amazing chemistry and he has this part where he runs and jumps over a velvet rope, adorable. He has glasses though so he can’t be the male lead

Rating: 7 Catty Best Friends out of 7

Okay so I want to say that this functionally doesn’t have a Male (Romantic) Lead. The actual Male Lead is a Catty Best Friend she meets working at the Santa’s Workshop at the mall. This movie had a premise more cringey than usual, but it actually was really refreshing to see a different main screen dynamic—especially mixed-gender platonic friends. I also appreciate that the Plucky Girl Santa is genuinely a mess; she’s not the usual, “Oh, I’m such a mess! I’m unmarried and my check engine light is on!” Here, she’s legit having kind of a breakdown.

The resolution is literally that she tries to make people who did fucked up things feel better at her own expense. Also it’s really unclear how the book decides what counts? Like, the book tells her that her that the boyfriend cheated on her, but actually they were broken up–actually broken up. What’s the deal? Also a neighbor steals lawn decorations to win the neighborhood competition.

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This one straight up starts like a horror movie. Career Girl is sent to Christmas Bootcamp to get her Holiday Cheer certificate and the reason why isn’t important. The Male Lead is a human cable knit sweater. The dog is named Max and he’s great. The phrase “Christmas Mojo” is used more than once.

Dramatis Personae (that matter)

• Career Girl – I don’t even know. She loves her work and they try to make that a conflict as if she’s a “workaholic” but she’s, like, a totally normal, sweet person. It’s really kinda creepy and gaslighty how they treat her
• Handsome Sweater – son of Christmas Daddy, he eats French Toast with his hands like it’s regular toast
• Christmas Daddy – runs the Christmas Camp but makes it feel like a murder house (see clip below) and seems super into having Career Girl marry in
• Dog – Max, A+ dog. The one Christmas Mojo this film earns is for Max

Rating: 1 Christmas Mojo out of 10

The whole thing is just weird and uncomfortable. Career Girl doesn’t change or learn anything and people treat her like an insane person because she’s trying to finish a project for work and get a promotion. But like, she’s not weird or cut-throat or anything and is incredibly sweet and helpful. The main conflict is that the Christmas Murder House is losing money and Handsome Sweater wants Christmas Daddy to to move to the city with him. The main conflict is that Career Girl saves the Murder House by getting Christmas Daddy to franchise Christmas Camp, and Human Sweater is mad and goes all aggressive about how she only thinks about work. The bone after the paid military promotion character shows up and everything is fine. They put pies into a box sideways at one point. Like, standing up on their sides. Everything about this one (produced by MarVista) is awful and creepy. Almost every single pop arrangement of the Christmas carols are grating. They have snowball target practice. Richard (my husband) and I were just yelling at the screen, deeply uncomfortable.

Listen, I love cheesy movies like this, love romance novels. I’m perfectly fine with some of the goofy genre conventions or plot convenient storytelling, because it’s not really about the plot. It’s about people and conveying a certain feel-good vibe and affect, or at least being entertaining for how they rearrange the cheeseball lines and conventions around a setting. Lots of these movies feature literal magic and time travel, all kinds of stuff. Christmas Camp had no camp, as Richard quipped. The Camp was so chilled out and low key, and it made it sort of uncomfortable that the script seemed to be treating the setting as though it was from a completely different movie; a movie where the Christmas Camp was over the top and full of enthusiastic, wacky characters and the Career Girl learns to balance work with letting go and having a little fun and not being so serious all the time. You know–the true meaning of Christmas or something.

This is not a bit. There is something genuinely existentially off-putting about Christmas Camp that I’m having trouble articulating. I don’t know if it’s that the artifice of this being a movie was too obvious–with barely dressed sets, weird prop use, etc–or that without the obvious artifice the events in the movie are so unsettling and muted, subverting expectations of these types of films but not in a good way. It’s like the shock of someone break their arm and being able to see the actual bone poking out, jagged and existing in a place it should never be.

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